MassRaqs 2010 - Part 2

I decided to cut the post, since it was getting a bit too long.  Now, where was I?  Oh yes, the final day of MassRaqs 2010.

Sunday Workshops

Sunday, September 26th

Sunday was going to be a jam-packed day with 4 workshops and a Gala show in the evening.  This day felt a lot more relaxed, interestingly.  Perhaps because we already knew what to expect for the workshops.  Also, knowing that Springstep's staff would be in charge of setting up chairs really took a lot of stress away.

Shadia - Double Cane Technique
I have very limited experience with the cane, though I have to say that doing the saiidi choreography with Meiver for Barka helped to make me feel more confident about using this prop.  But 2 canes?  Well, that's a completely new adventure.  Truth be told, this workshop was a huge wake-up call for me.  Shadia stressed practicing at least 5 minutes a day with a cane, and in both hands, would really help everyone's technique.

My favorite part of this experience was learning some new tricks with the cane.  There was one trick where we twirled the cane and caught it on the other end (hard to explain, but really cool to watch!).  I found it hilarious that everyone (including me!) was dropping our canes during the practice.  We all had a lot to learn, but we are eager to do so.

My least favorite part of this experience was that I completely forgot that I hid my canes during the Gala and I forgot them at the venue!  Luckily, dowels don't const that much, so I can easily replace them.

Shadia - Bedouin Styling
Shadia, a master in folkloric style, introduced many of us to the Levantine and Bedouin style which is a lot less hips and more hands and arms and shoulders.  We went through a combination of steps and movements that are characteristic of these folkloric styles.

Then she paired us by height and we did some debke line dancing.  This was so much fun!  First of all, it was hilarious to see how fast the tall group moved across the room, and how much slower it took for the shorter groups.  But the beat of the music and the fact that it's a group line dance just makes it feel like a party.

Boẑenka for Cassandra - Oriental Technique Tune-Up
Boẑenka took us through some modern oriental technique work, leading us across the floor with different combinations and different facial expressions.  In a way, this felt like an extension or a second part of her Arms and Hands workshop from Saturday.

It was fun to cross the room with so many of my friends, and it was nice to watch the other dancers in the room strut their stuff.  It felt like we were all really cheering each other on, and just plain enjoying ourselves.

Boẑenka - Drum Solo
Perhaps one of the most exciting parts about this workshop, aside from learning some technique from one of the most renowned dancers, was that we had a live drummer to dance with.  One of the local drummers who was performing with the band at the Gala helped us learn a little bit about how to connect with the drummer.  Boẑenka stressed that while it often feels that the dancer has to chase after whatever the drummer is doing, the dancer can do a couple of things to signify that she will be changing her movements.

She had us individually approach the drummer and signify when we would be finishing a phrasing.  It was fun to watch each person dance and learn what moves help to signal to the drummer.  Then, several of the attendees picked up some drums and each of us participated in a drum circle.  We each danced to a full drumming group, and it was fun to show what we had learned.

In total, I have to admit that Saturday's workshops felt more like a lot of hard work, whereas Sunday felt a lot more relaxed and fun.  This isn't to say that either day wasn't filled with both hard work and fun, but there was definitely more of one aspect present on one day versus the other.

Sunday Gala
Goodness.  I feel absolutely blessed to have started and ended the weekend watching such a huge variety of amazing dancers.  The performers were a mix of people I have watched several times and people I had only heard of.  The Gala really felt like a perfect bookend to an already inspiring weekend.

Let me start by talking about a little bit of trouble we ran into before the doors were even officially open.  One woman was extremely angry that we were unable to take credit or debit cards for admission.  She said that we should have advertised it, which is true, but there was no need to be extremely angry at us for not having the capability of card swiping.  That is definitely something to remember for next year's and any upcoming events.

The first set of the evening was the folkloric portion.  There was some cane action from Chantel as well as some debke line dancing from Shadia's Mirza Troupe, both of which made me sway along with the music.  Then Boẑenka performed a maleya leff, which is flirty and uses an embellished veil.  She looked like she was having such a fun time with the dance.

The second set of the evening was mainly raqs shaqi dances.  Watching Meiver and Najmat dance is always such an amazing experience.  Meiver with her amazing combinations and Najmat with her delicious gooeyness are enough to bring in a whole new group of belly dance enthusiasts.  Though Nina had performed at Baraka, I didn't get a chance to watch her move, so I was excited to get the chance during the Gala.  Local favorites Pheadra and Hanan also graced the stage, playing zills and twirling double canes, respectively.  I tried to pay attention to their technique, especially since we had worked on those two this weekend.

Then, of course, the Gala closed with another performance by Boẑenka.  She is just amazing!  If you ever get a chance to learn from her or to watch her move in person, it is something you really want to strive for.  But, let me not forget to mention her AMAZING costume!

Boẑenka's gorgeous costume

I'm pretty sure even the band members were mesmerized by her movements.  Her costume only helped to accentuate how amazing she is.  It's always very interesting to watch dancers of such popularity live in action.  She really exudes confidence and a love for the dance - something we are all striving to naturally exude.

In Conclusion
MassRaqs was really a complete success.  Sure, there were some unhappy folks about Cassandra's absence, and I'm sure that not everyone was completely happy about the weekend.  Sure, there could have been a lot more tightness in the event implementation and organization and time management.  These are all things that we will be aware of in terms of future event planning.  Some things worked, and some things didn't.

With the New England belly dance community recently having experienced some negativity in the form of undercutting and gossip, this weekend (which also featured a tribal event organized in Boston) was really needed.  Starting the weekend with an open dialog about what makes Boston and New England such a stronghold for the belly dance community, filling in workshops that could only enhance everyone's dance, and ending with beautiful dancers just felt cohesive and inspiring.

Considering that I woke up this morning feeling like I just wanted to keep dancing and then reading about other people's feelings about the weekend on Facebook, it just means that MassRaqs 2011 (Save the Date: October 21st-23rd) is just going to be better in every way.