Amira Jamal's Student Recital 2010

On Sunday, May 2nd, Amira Jamal hosted her annual Student Recital at the Pacific Arts Center of Metro West, in Framingham, MA.

I love her student recitals for many reasons, including the opportunity to see my amazing classmates dance and to see some of the newcomers perform.  This might sound horrible, but (and I mean it in a really positive way)it's nice to watch the newbies because it reminds me of where I came from.  A closet full of belly dance clothes later, I can proudly say that I'm no longer a newbie.

Mainly, I love the student recitals because it's been great practice for me.  I've always been exceedingly nervous about performing in public, especially around other, more professional dancers.  But this year, I felt different.

In a way, the recital snuck up on me.  I had been extremely busy, and with a new kitty, it has been difficult to do much dancing around the apartment.  Next thing I know, it's April and the recital is a month away.

When I'm working on choreographing a piece, I usually just play the song over and over on my mp3 player.  Strangely, I find it really productive to choreograph while riding the T.  This time around, I really tried to focus more on where the music was taking my movements and build upon that, instead of trying to incorporate every little step that I knew into a dance.

But the real difference was that this year, I danced to an actual Arabic piece.

In the 5 years that I've been taking classes with Amira Jamal, I've danced to Tori Amos' "Sweet the Sting," Queen's "Crazy Little Thing Called Love," Bjork's "Bachelorette," The Beatles' "Something," and Pink Martini's "Never on Sunday."

I've always loved the idea of fusing different concepts together to create something beautiful, which is mainly why I've focused on dancing to different types of music than traditional Middle Eastern music.

The great thing about Amira's classes, however, is the fact that we're exposed to so much Middle Eastern music, from classical Arabic to more pop tunes.  She encourages us to keep broadening our understanding of the dance by understanding the music.

So, this year, I danced to "Balady ala Accordion" by Hassan Abou el Seoud (This song can be found on Shik Shak Shok and 10 Songs Every Bellydancer Should Know).

Oh, ya.  Another difference was that my costume wasn't completely green.  It was mainly purple, and only had the tiniest hint of green.

Most of the pictures were taken by my boyfriend, so they're a little blurry.
This was my entrance.

Shocker!  I know!

Oh ya, baby...those are zills!

I couldn't really tell you why I finally decided to dance to an Arabic song for the recital.  I have talked in a previous post about doing a Filipino/Middle Eastern fusion dance, but I haven't learned enough about traditional Filipino dance to put something together in time for the recital.

I had already danced to "Balady ala Accordion" at an event I organized, and I really love the song itself.  Also, in the past, I had been dancing to somewhat slower songs.  I figured it was time to up the tempo, and go for playing my zills.

Confident and smiling!

Overall, though I know I needed to improve my zill playing, I actually felt extremely confident about my dance.  Since we got the chance to perform for each other in class earlier that week, I had received really great feedback from my classmates - dancers I really respect.

I am really proud of myself for a 6th recital under my belt, and for feeling not as nervous as I stepped out onto the stage area.  It was also quite nice to get complements from some of the audience members, of whom were mainly family members of the performers.

It was also great to have my boyfriend there supporting me.  Though he isn't so good at taking pictures, it's always nice to be reminded that I have someone in my personal life that enjoys and supports this hobby.

Shimmies for a Cure Quatro - Workshops and Hafli

I feel like I've gone through a long hiatus of belly dancing.  Though it's mainly been a time and money issue, I knew that I needed to push through some of the stress and continue dancing.  So, I've been continuing classes with Amira Jamal on Mondays, as well as with Najmat on Tuesdays.

But this past weekend, on March 27th, I was able to participate in the Shimmies for a Cure Quatro workshops and hafli.

Shimmies!

Baseema Moirae and *Samantha* are an organizing super team!  It was truly an eventful and awesome day, and really a great way to get more fully involved in the art form.  All of the funds went toward one of the organizer's involvement in the PanMass Challenge, which is a cycling event that benefits the Dana-Farber Cancer Institute.

I had the pleasure to take part in 4 fabulous workshops from 4 master teachers.

Lots of ladies taking workshops!

Bolly Bellies with Jesi
Jesi is awesome!  Super high energy and funny, she lead us through an intro course in Bollywood style dance. It was a great way to warm up in a somewhat chilly room.  We all sported our flounciest skirts and tried to keep up with her fast-paced choreography.  Though we were only given an hour with her, Jesi was able to teach us all of the steps.  Granted, it was difficult to get every step perfect, but she really helped us feel the energy and drama that's associated with the popular Bollywood movies.

Raq Like and Egyptian with Najmat
Oh, Najmat.  I love this woman!  As one of my current belly dance teachers, she really knows how to help you hone in your technique.  We worked on a set of moves that really worked on our posture and muscle control, as Egyptian style is generally more controlled.  We worked on large hip circles, figure 8's, and pops.  And just when your body is starting to feel pain from all the repetition, she switches to the other side.  And then she puts a shimmy on top of it!  She really proves that practice makes perfect.

Balkan Beat Box à la Melina with Melina
Melina, from the Daughters of Rhea, got us to be silly and have fun with her choreography.  A mix of Turkish, Greek, and plain old good times, the choreography had us all laughing and enjoying ourselves.  Though we weren't able to get through all of the choreography she had planned for us, she seemed to mainly focus on feeling ownership over our bodies and our style, no matter how silly it may look to others.  I must admit that I had a really fun time during her workshop, and finished the workshop with a little bounce in my step.

Techniques for Stage Presence and Performance with Ela Rogers
Ela is one of the premiere tribal performers in New England.  She asked us to stand in a circle, and for each of us to walk around the inside and make eye contact with every other person.  Then, we were to stand in the middle, turn our head to look at one person then follow with turning our bodies.  Eye contact is so important in performance.  So it was interesting to see who really made eye contact with every single person, who skipped people, who took really quick glances, and who was able to linger.  We also worked on a short combination that helped us use what we learned about eye contact.

Goodness!   I would most definitely love to take a class or workshop with all of those fabulous ladies again!  Four hours worth of workshops later, I'm feeling pumped to do some shopping (which I did...a LOT of!) and watch some of my favorites light up the dance floor.

Sidebar:  Oh, the shopping!  But the one item I do want to highlight is the new Sassy Sparkles Eye Kandy color created in honor of this event.  With a name created by one of the dancers and voted on by the guests, "I Dream of Gaia" (gold, green, and brown) premiered at the Shimmies for a Cure Quatro.

I Dream of Gaia

Below are the "good" shots that I got of the performances.  It was difficult, I must say, without a fancy schmancy camera.  I tried not to use my flash so as not to blind the dancers, but I unfortunately didn't get the best pictures possible nor was I able to get decent pictures of all the performances.

Nepenthe, dancing to Mashaal

*Samantha*, tribal hip-hop fusion

Jemileh Nour, my gorgeous friend dancing for the first time in 2 years

Jesi, bringing down the house with her bhangra

Badriya al-Badi'a, an ode to the OG Egyptian dancers

Najmat, her moves and beautiful costume speaks for itself

Nikki, one of Boston's Best balancing a sword

Troupe Moirae, jazzy fusion

Melina, balancing a sword on a dagger in her mouth, yo!

Aepril Schaile, the Snow Queen graces us with her presence

Ela Rogers, closing the evening with a memorable performance

I feel absolutely blessed to have been a part of the Shimmies for a Cure day.  I'm feeling inspired not only by the wonderful talent I was surrounded by, but by the amazing community that was able to raise close to $4000 for the PanMass Challenge!

Congratulations to Baseema and *Samantha* for another top notch Shimmies for a Cure!