Showing posts with label Shimmies for a Cure. Show all posts
Showing posts with label Shimmies for a Cure. Show all posts

Wednesday, March 30, 2011

Shimmies V: Peace Love and Shimmies

On Saturday, March 12th, 2011, the ever-amazing duo of *Samantha* and Baseema Moirae hosted their fifth Shimmies (previously known as Shimmies For A Cure) entitled Shimmies V: Peace Love and Shimmies.

The day was jam-packed with workshops and a show featuring amazing local dancers.  This year, I had the pleasure of being the Stage Manager for the show.

It was great to see so many familiar and brand new faces from the New England belly dance community.

Workshops
Ooey Gooey with Najmat
One would think that having weekly class with Najmat is enough to build up some strength.  But in the following week, she will help you find muscles that have basically been dormant since you were born. 

This workshop was no exception.  Najmat taught us how to "milk it" and stressed the importance of "squeezing your princess" as you do so.  We worked through several movements that really focused on making sure that our ab muscles were always engaged.

As always with Najmat's classes, time flew by.  But I would be lying if I didn't say that many of us breathed a sigh of relief at the thought of being able to relax for just a short amount of time.

Ballet for Belly Dancers with Aurel
If we knew how much more of a workout we were going to get in the second workshop, we probably would have wanted a longer break!  I was personally excited to take a workshop with Aurel, a gorgeous dancer/singer/performer.

I have very minimal experience with ballet.  For middle school, I attended a performing arts magnet in Los Angeles, and we were required to take a dance class as opposed to regular gym.  So, I know about pliés, arabesques, and basics about the feet positioning.  Aurel stressed the importance of the form and the lines that ballet hammers into its dancers, especially about pointing the toes and hiding the heels.

My thighs were burning after the workshop!  It actually made me want to do a bit more practice on my own to work on the beautiful form that ballet can give to belly dance.

So You Think You Can Fuse? with Neylan
I have only watched Neylan perform, so I was interested in taking a workshop with her.  It was great that she started with talking about the importance of knowing the origins and basics of the dances that you are fusing.  It would indeed be strange to try to fuse Filipino traditional dances, let's say, with belly dance without knowing the moves and music of each.

She then taught us 2 short choreographies which we danced through several times using different types of music.  We got to play around with making the movements go faster and slower, depending on the music she played for us.

I have to admit that my mind wasn't fully at this workshop.  With the show soon after, my brain was wandering over to my stage managing duties, and I kept glancing at the time to make sure I had enough time to do all that I needed and fit in a tiny bit of shopping before I needed to refocus my energy.

Shimmies Show!
The show featured about 19 dancers from the New England area, including the 3 wonderful workshop instructors.

There were many new acts that I had never seen perform before (such as The Belly Dance Collective and OmBellyCo), and some acts who were debuting for the first time (such as Serpenour and Shimza!).  And of course, there were so many of my favorite performers gracing the stage.

For the most part, even though I was managing the staging, I got to see the majority of performances.  As stage manager, I was in charge of keeping track of the music and relaying the information to the DJ's (who were late and not very accustomed to belly dance shows), making sure the performers and their props were prepared, and keeping track of the time.

I'd have to say that the Shimmies Team did a pretty great job.  For the most part, we were running on time with room to spare!  At some point, however, we took too much time to get the raffle distribution started, so the final set of dancers had to wait a bit longer than scheduled.  At the end, we ended a half hour later than originally planned.  Really, not a bad thing at all.

Truth be told, I thought the show was amazing.  There was such a great variety of performers and styles.  It never felt like a dull moment, though of course my feelings are heightened because I was helping out.  But the audience, who filled up the house, really seemed to be enjoying themselves.

To further prove how much fun people were having, when the DJ's started playing music that was more akin to a wedding reception, so many people were on the dance floor.  From the Cha Cha Slide to I Will Survive, the night ended as though we had been partying all day.

Thanks to *Samantha* and Baseema's ingenious organizing and event planning skills, I think we really all were having the time of our lives.

Sunday, March 28, 2010

Shimmies for a Cure Quatro - Workshops and Hafli

I feel like I've gone through a long hiatus of belly dancing.  Though it's mainly been a time and money issue, I knew that I needed to push through some of the stress and continue dancing.  So, I've been continuing classes with Amira Jamal on Mondays, as well as with Najmat on Tuesdays.

But this past weekend, on March 27th, I was able to participate in the Shimmies for a Cure Quatro workshops and hafli.
Shimmies!
Baseema Moirae and *Samantha* are an organizing super team!  It was truly an eventful and awesome day, and really a great way to get more fully involved in the art form.  All of the funds went toward one of the organizer's involvement in the PanMass Challenge, which is a cycling event that benefits the Dana-Farber Cancer Institute.

I had the pleasure to take part in 4 fabulous workshops from 4 master teachers.
Lots of ladies taking workshops!
Bolly Bellies with Jesi
Jesi is awesome!  Super high energy and funny, she lead us through an intro course in Bollywood style dance. It was a great way to warm up in a somewhat chilly room.  We all sported our flounciest skirts and tried to keep up with her fast-paced choreography.  Though we were only given an hour with her, Jesi was able to teach us all of the steps.  Granted, it was difficult to get every step perfect, but she really helped us feel the energy and drama that's associated with the popular Bollywood movies.

Raq Like and Egyptian with Najmat
Oh, Najmat.  I love this woman!  As one of my current belly dance teachers, she really knows how to help you hone in your technique.  We worked on a set of moves that really worked on our posture and muscle control, as Egyptian style is generally more controlled.  We worked on large hip circles, figure 8's, and pops.  And just when your body is starting to feel pain from all the repetition, she switches to the other side.  And then she puts a shimmy on top of it!  She really proves that practice makes perfect.

Balkan Beat Box à la Melina with Melina
Melina, from the Daughters of Rhea, got us to be silly and have fun with her choreography.  A mix of Turkish, Greek, and plain old good times, the choreography had us all laughing and enjoying ourselves.  Though we weren't able to get through all of the choreography she had planned for us, she seemed to mainly focus on feeling ownership over our bodies and our style, no matter how silly it may look to others.  I must admit that I had a really fun time during her workshop, and finished the workshop with a little bounce in my step.

Techniques for Stage Presence and Performance with Ela Rogers
Ela is one of the premiere tribal performers in New England.  She asked us to stand in a circle, and for each of us to walk around the inside and make eye contact with every other person.  Then, we were to stand in the middle, turn our head to look at one person then follow with turning our bodies.  Eye contact is so important in performance.  So it was interesting to see who really made eye contact with every single person, who skipped people, who took really quick glances, and who was able to linger.  We also worked on a short combination that helped us use what we learned about eye contact.

Goodness!   I would most definitely love to take a class or workshop with all of those fabulous ladies again!  Four hours worth of workshops later, I'm feeling pumped to do some shopping (which I did...a LOT of!) and watch some of my favorites light up the dance floor.

Sidebar:  Oh, the shopping!  But the one item I do want to highlight is the new Sassy Sparkles Eye Kandy color created in honor of this event.  With a name created by one of the dancers and voted on by the guests, "I Dream of Gaia" (gold, green, and brown) premiered at the Shimmies for a Cure Quatro.
I Dream of Gaia
Below are the "good" shots that I got of the performances.  It was difficult, I must say, without a fancy schmancy camera.  I tried not to use my flash so as not to blind the dancers, but I unfortunately didn't get the best pictures possible nor was I able to get decent pictures of all the performances.

Nepenthe, dancing to Mashaal
*Samantha*, tribal hip-hop fusion
Jemileh Nour, my gorgeous friend dancing for the first time in 2 years
Jesi, bringing down the house with her bhangra
Badriya al-Badi'a, an ode to the OG Egyptian dancers
Najmat, her moves and beautiful costume speaks for itself
Nikki, one of Boston's Best balancing a sword
Troupe Moirae, jazzy fusion
Melina, balancing a sword on a dagger in her mouth, yo!
Aepril Schaile, the Snow Queen graces us with her presence
Ela Rogers, closing the evening with a memorable performance
I feel absolutely blessed to have been a part of the Shimmies for a Cure day.  I'm feeling inspired not only by the wonderful talent I was surrounded by, but by the amazing community that was able to raise close to $4000 for the PanMass Challenge!

Congratulations to Baseema and *Samantha* for another top notch Shimmies for a Cure!

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